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<rss version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>The tumblog  of Paul Wilson.</description><title>Paul Wilson - ansonwilson.com</title><generator>Tumblr (3.0; @anson)</generator><link>http://ansonwilson.com/</link><item><title>Vimeo Sued By Capitol Records Over Lip Dubs </title><description>&lt;a href="http://newteevee.com/2009/12/15/vimeo-sued-over-lip-dubs/"&gt;Vimeo Sued By Capitol Records Over Lip Dubs &lt;/a&gt;: &lt;p&gt;&lt;a href="http://secretenemyhideout.com/post/286184926/vimeo-sued-by-capitol-records-over-lip-dubs" target="_blank"&gt;zachklein&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I roared with a belly laugh when I read this headline. Could Capitol Records truly be this misguided? Do they not realize that if you were to sort Internet brands by those most emblematic of creativity — not piracy — that Vimeo would line up at the top? Lip-dubbing is harmless and perfectly fun, and ultimately will define the aesthetic of an Internet generation. Other than for some petty legal jockeying towards a greater strategy can I imagine why this record company would try to sink such a potentially valuable lifeline — Lip-Dubbing and Vimeo create tremendous relevance and usefulness for their catalog!&lt;/p&gt;
&lt;p&gt;If anything better underlines my point it’s &lt;b&gt;an email I received from Sean Nelson, the frontman of the band Harvey Danger&lt;/b&gt;, whose song &lt;i&gt;Flagpole Sitta&lt;/i&gt; &lt;a href="http://www.vimeo.com/173714" target="_blank"&gt;we’ve now infamously lip-dubbed&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;That &lt;i&gt;Flagpole Sitta&lt;/i&gt; video made me incredibly happy, just when I thought there was NOTHING that could make me listen to that song again. A thousand thank you’s.&lt;/blockquote&gt;
&lt;p&gt;Capitol, you’re a bunch of goof-balls. This lawsuit is the tactical equivalent to pooping on someone’s birthday cake.&lt;/p&gt;
&lt;p&gt;I, for one, am willing to boycott Capitol artists unless they reconsider, and I implore other labels to pivot and spur conversations with Vimeo in order to determine a simple process to give people access to copyrighted music for personal video that is satisfactory for all. Preemptive strikes simply won’t do anymore!&lt;/p&gt;
&lt;p&gt;Please reblog, or honk, if you agree.&lt;/p&gt;
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